BRISA MP
art-body-technology
gallery/erratic2
gallery/erratic2
gallery/erratic2
gallery/erratic2

I wanted to talk about the machines giving them a human role as the CHOREOGRAPHER OF THE FUTURE. I understand the processes of creation with technology in alliance with the computer and other technological devices. Machines are not only a MEDIUM THROUGH WHICH THE BODY IS EXPRESSED OR REPRODUCED then they are at a level of horizontality and CO-CREATION between humans and non-humans.

 

Both the computer that organizes the nodes of information through a random system, and the participation of the dancers is based on improvisation. In this sense "I" as "artist" happened to be a kind of medium that to instruct and organize a structure or system,  for will appropriate and co-created by others like a  horizontal system of machine and human bodies in movement.

 

design java language-  free software processing.org by brisa mp in 2015-2016

gallery/erratic2
gallery/cosmos
gallery/dancecode_brisamp_2017_copyright

Collaboratorio. DNA.Dance Navarra Festival. Hurarte center. Artistic Residence. Pamplona 2017 collaborative practicewith dancer from Spain and LatinAmerica 

DANCECODE LA COMPUTADORA COMO COREÓGRAFA ES UNA ESTRUCTURA ABIERTA AL ERROR, ES UN SISTEMA DE RELACIONES ENTRE COREOGRAFÍA E INFORMÁTICA . ES UNA INVESTIGACIÓN Y A LA VEZ UNA OBRA EN SI MISMA. ES UN HERRAMIENTA PARA COMPARTIR EXPERIENCIAS DE IMPROVIZACIÓN. ES UNA METÁFORA DEL PAPEL DE LAS MÁQUINAS EN NUESTRA VIDA ACTUAL Y FUTURA, un intento de compprensión del mundo y la materia En un ESPACIO HORIZONTAL DE PENSAMIENTO Y CREACIÓN entre HUMANOS  Y NO HUMANOS. 

gallery/dancecode_brisamp_2017
gallery/dancecode_brisamp_2017

other about this project: 

* Libro de la Danza Chilena. P: 642. Poly Rodriguez, Marcela Olate, Ignacio Vargas. Edit Chile 2018

 

* Tanz der Dinge/Moving through Things that dance .P 105. Edit Josephine Fenger and Johannes BIrRinger. edit GERMANY.2019-2020

 

RELATED

[Paths and processes (art, technology)]; METABODY JOURNAL.EU.2015 

 

 

[Paths and processes (art, technology)]; REVISTA VESTIBLES. PAG 34-36.  MICRO ENCUENTRO DE VESTUARIO , TECNOLOGÍA Y CULTURA EN CHILE. EDIT. CHILE. 2017

 

 

 

 

 

 

REFERENCES

Latour, Bruno (1998): Technology is society made durable, in Domènech, Miquel and Tirado, Francisco (eds.), Sociología simétrica ensayos sobre ciencia tecnologia y sociedad, Barcelona: Gedisa Publishers, 

 

 

 

 

Tirado, Francisco and Domènech, Miquel (2005): Asociaciones heterogéneas y actantes: el giro postsocial de la teoría del actor-red, AIBR: Revista de Antropología Iberoamericana 44.

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gallery/dancecode2_brisamp_copy@right
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collaborative practice with amandine lambert. projazz. chile 2017